Broadway

White Actors, Writers, Directors Still Over-Represented in NY Theater Scene

Over 61 percent of all roles on New York City stages went to white actors, a rate that is double the percentage of white people who live in the city, 32.1 percent of residents

Broadway theaters
Wang Ying/Xinhua via Getty

NEW YORK, June 29, 2020 — Photo taken on June 29, 2020 shows the Broadway theaters in New York, the United States. The Broadway League announced on Monday that Broadway performances in New York City will be suspended through the remainder of 2020 due to COVID-19. Broadway theatres are now offering refunds and exchanges for tickets purchased for all performances through January 3, 2021. Broadway performances were suspended on March 12, 2020.

A new report on racial representation on New York stages has found that little has been changing — there remains an over-representation of white actors, writers and directors.

The annual study, “The Visibility Report: Racial Representation on NYC Stages,” from the Asian American Performers Action Coalition in partnership with the American Theatre Wing , analyzed the 18 largest nonprofit theaters as well as Broadway companies in New York City during the 2017-18 season.

Over 61% of all roles on New York City stages went to white actors, a rate double the population of white people in New York City (32.1% of residents). According to the study, 23.2% of roles went to Black actors, 6.9% to Asian American actors and 6.1% to Latino actors. That represents a slight improvement from the previous season, which had 67% white actors, 18.6% Black actors, 7.3% Asian actors and 5% Latino actors.

Overall, nearly 80% of Broadway and off-Broadway shows’ writers were white and 85.5% of directors during the 2017-18 season. Last year’s report — on the 2016-17 season — found that 86.8% of all Broadway and off-Broadway shows were from white playwrights and 87.1% of all directors hired were white.

The 2017-18 season did see some breakthroughs for people of color — including Young Jean Lee becoming the first Asian American woman playwright produced on Broadway and the Tony-winning “The Band’s Visit,” a musical set in the Middle East. But the report warned against celebrating examples that “often serve as the poster child of diversity for a particular season, encouraging a false sense of progress.”

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