Runway Report: Altuzarra

Altuzarra put a sexy spin on a "work-appropriate" wardrobe.

11 photos
The finale at Altuzarra's spring 2014 collection during New York Fashion Week.
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Fresh off the news that Kering—the investment group that controls mega-brands like Alexander McQueen and Stella McCartney—had taken a minority interest in his brand, Joseph Altuzarra showed a spring '14 collection that solidified his status as fashion's latest golden boy.
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Many pieces felt like wardrobe staples, but Altuzarra carefully considers even the most seemingly simple garments. The establishing silhouette—long, slashed pencil skirt, banker blouse (unbuttoned to there)—came in a number of iterations, each exuding a working gal power tempered by a sexy, coming-apart-at-the-seams air.
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We loved the little "financier" details, like the unbuttoned white cuffs on striped button-downs.
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Adding to the "deshabille" were little silk ribbons fluttering from the corseted pencil skirts.
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Some of the ensembles amplified the contrast between the frilly feminine and modern masculine, like this lacy white sundress paired with a super-structured utility jacket.
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Altuzarra's emphasis seemed to fall on day wear, but this is a man that knows how to cut a head-turning dress. Among our favorites: a white satin number with a messy, rib-revealing drape that gave the illusion of being held together by a few snips of ribbon.
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Maybe all those finance, commuter-train references had us subconsciously thinking about the gold standard, but for whatever reason the introduction of glimmering metallics like this slinky gilt cocktail dress felt right.
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The draped, twisted waist on this liquid silver pencil skirt was paired with a simple low-necked henley in utilitarian gray.
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Devotees to Altuzarra's crisp tailoring will appreciate his structured deep-V leather dresses, which came finished with swaths of short fringe through the waist.
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For ladies who consider their cost-per-wear of a given garment, a draped black dress with a thigh-bearing slit offers a lot of bang for the buck.
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